http://repositorio.ufgd.edu.br/jspui/handle/prefix/1668 2026-01-17T11:07:30Z 2026-01-17T11:07:30Z Queder, Carolina Nogueira http://repositorio.ufgd.edu.br/jspui/handle/prefix/4667 2024-10-09T17:45:38Z 2021-11-05T00:00:00Z

Título: O Corpo vivo é um corpo que queima: a dilatação de Eugenio Barba como potencialidade para o ator Autor(es): Queder, Carolina Nogueira Primeiro Orientador: Guerra, Ariane Abstract: The present end-of-course research has as object of study the notion of corporal dilatation in parallel to the reflection and discution of its incidence in a scene from the spectacle MAC. In order to carry out this research, it was necessary to review Eugenio Barba's work, especially his research on Theatrical Anthropology. Initially, the work discusses the denomination of Theatrical Anthropology and its origin, to, later, deepen in the concept and application of the corporal dilation in the artistic experience of the student, which leads us to verify which are the possible contributions of a dilated body-mind for the actor. Dilation can be seen as a way of working that contributes to the organic representation and a link to the actor's scenic presence or scenic bios. The intention of this research is to reflect and debate the corporal dilation since its most superficial level, its conceptualization and application in Eugenio Barba's theory, aiming to understand which are the possible contributions of the dilated bodymind to the actor in a situation of organized representation. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso

2021-11-05T00:00:00Z Vieira, Aline Silva http://repositorio.ufgd.edu.br/jspui/handle/prefix/4666 2024-10-09T17:44:42Z 2021-11-16T00:00:00Z

Título: A Performatividade e teatralidade incorporadas num clique: a fotografia como fragmento do cotidiano Autor(es): Vieira, Aline Silva Primeiro Orientador: Guerra, Ariane Abstract: This monograph of course conclusion proposes an immersion in everyday actions through authorial photographs that registered moments that belong to routine. Starting from theorists such as Patrícia Leonardelli, Josette Féral and Michel de Certeau, the attempt is to understand how performativity can be in these traces of image, and to create a theatricality by itself. It is exactly this gap that we seek to analyze: where performativity takes place in everyday life, and what actions can serve as a basis for performing and/or theatrical realizations. By selecting 12 authorial images within the research project Body in performance: actions in/on everyday life, we were able to think more deeply about how theatricality can arise from the static performativity present in the images of everyday fragments. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso

2021-11-16T00:00:00Z Silva, Bruna Garcia Braz http://repositorio.ufgd.edu.br/jspui/handle/prefix/4627 2023-09-14T07:05:48Z 2019-12-06T00:00:00Z

Título: Nós três, Alice: a trajetória de uma atriz-performer narrada por um caderno de artista Autor(es): Silva, Bruna Garcia Braz Primeiro Orientador: Esper, Gil de Medeiros Abstract: This article aims to tell the trajectory of a performer-actress during the process of creating the show entitled "Nós Três, Alice." Inspired by Lewis Carrol's story, “Alice in Wonderland,” the work reports how Josettet Féral's Perfomative Theater took root in the process and allowed the use of various elements of classical and contemporary theater as a method of character creation. and scene. The account follows the notes in a logbook, referred to here as the Artist's Notebook, which carries in it the feelings and emotions that were aroused during the creation of the show. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso

2019-12-06T00:00:00Z Gonzaga, Évelyn de Jesus http://repositorio.ufgd.edu.br/jspui/handle/prefix/4626 2023-09-14T07:06:21Z 2019-12-06T00:00:00Z

Título: A Construção da atriz-performer em relação ao espaço: nós três, Alice Autor(es): Gonzaga, Évelyn de Jesus Primeiro Orientador: Esper, Gil de Medeiros Abstract: In the present work I seek to discuss, in general, how was the process of creating Three Knots, Alice. The most sensitive focus of discussion and also my greatest interest in montage is centered on the use of alternative space for scenic creation. Throughout the process we were discovering what would be the strategic points for the realization of the scenes, realizing the major obstacles encountered in the course of space, so that this relationship became fundamental for the whole construction of staging and dramaturgy. This is the central focus of this article, which is also an account of the experience lived in this process of creation. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso

2019-12-06T00:00:00Z