DSpace Coleção:http://repositorio.ufgd.edu.br/jspui/handle/prefix/16692023-11-23T18:17:33Z2023-11-23T18:17:33ZNós três, Alice: a trajetória de uma atriz-performer narrada por um caderno de artistaSilva, Bruna Garcia Brazhttp://repositorio.ufgd.edu.br/jspui/handle/prefix/46272023-09-14T07:05:48Z2019-12-06T00:00:00ZTítulo: Nós três, Alice: a trajetória de uma atriz-performer narrada por um caderno de artista
Autor(es): Silva, Bruna Garcia Braz
Primeiro Orientador: Esper, Gil de Medeiros
Abstract: This article aims to tell the trajectory of a performer-actress during the process of creating the show entitled "Nós Três, Alice." Inspired by Lewis Carrol's story, “Alice in Wonderland,” the work reports how Josettet Féral's Perfomative Theater took root in the process and allowed the use of various elements of classical and contemporary theater as a method of character creation. and scene. The account follows the notes in a logbook, referred to here as the Artist's Notebook, which carries in it the feelings and emotions that were aroused during the creation of the show.
Editor: Universidade Federal da Grande Dourados
Tipo: Trabalho de Conclusão de Curso2019-12-06T00:00:00ZA Construção da atriz-performer em relação ao espaço: nós três, AliceGonzaga, Évelyn de Jesushttp://repositorio.ufgd.edu.br/jspui/handle/prefix/46262023-09-14T07:06:21Z2019-12-06T00:00:00ZTítulo: A Construção da atriz-performer em relação ao espaço: nós três, Alice
Autor(es): Gonzaga, Évelyn de Jesus
Primeiro Orientador: Esper, Gil de Medeiros
Abstract: In the present work I seek to discuss, in general, how was the process of creating Three Knots, Alice. The most sensitive focus of discussion and also my greatest interest in montage is centered on the use of alternative space for scenic creation. Throughout the process we were discovering what would be the strategic points for the realization of the scenes, realizing the major obstacles encountered in the course of space, so that this relationship became fundamental for the whole construction of staging and dramaturgy. This is the central focus of this article, which is also an account of the experience lived in this process of creation.
Editor: Universidade Federal da Grande Dourados
Tipo: Trabalho de Conclusão de Curso2019-12-06T00:00:00ZUma Carta e nós três, Alice: um olhar para além dos murosMartins, Arthur Rodolfo Briteshttp://repositorio.ufgd.edu.br/jspui/handle/prefix/46252023-09-15T05:20:21Z2019-12-06T00:00:00ZTítulo: Uma Carta e nós três, Alice: um olhar para além dos muros
Autor(es): Martins, Arthur Rodolfo Brites
Primeiro Orientador: Esper, Gil de Medeiros
Abstract: This article is a letter-article, an attempt to approach performative writing, seeking a dialogue with the proposed performativity for the scene of We Three, Alice. In the show, the solo worked by me, came from a letter written by Caio Fernando Abreu, called Carta beyond the walls, to make a reference to the solo developed in the show, I opted for this form of writing. In the
letter-article I give an account of our creation process to an imaginary friend, who may be our audience, or even you who now read me.
Editor: Universidade Federal da Grande Dourados
Tipo: Trabalho de Conclusão de Curso2019-12-06T00:00:00ZRecursos do teatro épico no processo criativo de “Provisório”Souza, Eric Vagner Serafim dehttp://repositorio.ufgd.edu.br/jspui/handle/prefix/46242023-09-14T07:05:48Z2019-06-06T00:00:00ZTítulo: Recursos do teatro épico no processo criativo de “Provisório”
Autor(es): Souza, Eric Vagner Serafim de
Primeiro Orientador: Schiavo, Igor Emanuel de Almeida
Abstract: The course conclusion work was an artistic montage with the name: Provisional, having as its theme human relations and their oppressions. Defending theoretical academic work, acting as an actor and playwright, the theoretical research addressed the following theme: Epic Theater and its resources for a creative process. What was intended with this work was a study about Brecht's Epic Theater and the distancing techniques developed by the author in order to relate the distancing as a proposal for interaction with the viewer. Therefore, the practical work, called Provisory, contemplated theoretical concepts of Brecht's Epic Theater, interactivity and street theater. The play's dramaturgy was created from the techniques of Augusto Boal's Theater of the Oppressed.
Editor: Universidade Federal da Grande Dourados
Tipo: Trabalho de Conclusão de Curso2019-06-06T00:00:00Z