http://repositorio.ufgd.edu.br/jspui/handle/prefix/2063 Fri, 16 Jan 2026 14:15:56 GMT 2026-01-16T14:15:56Z http://repositorio.ufgd.edu.br/jspui/handle/prefix/4667 Título: O Corpo vivo é um corpo que queima: a dilatação de Eugenio Barba como potencialidade para o ator Autor(es): Queder, Carolina Nogueira Primeiro Orientador: Guerra, Ariane Abstract: The present end-of-course research has as object of study the notion of corporal dilatation in parallel to the reflection and discution of its incidence in a scene from the spectacle MAC. In order to carry out this research, it was necessary to review Eugenio Barba's work, especially his research on Theatrical Anthropology. Initially, the work discusses the denomination of Theatrical Anthropology and its origin, to, later, deepen in the concept and application of the corporal dilation in the artistic experience of the student, which leads us to verify which are the possible contributions of a dilated body-mind for the actor. Dilation can be seen as a way of working that contributes to the organic representation and a link to the actor's scenic presence or scenic bios. The intention of this research is to reflect and debate the corporal dilation since its most superficial level, its conceptualization and application in Eugenio Barba's theory, aiming to understand which are the possible contributions of the dilated bodymind to the actor in a situation of organized representation. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso Fri, 05 Nov 2021 00:00:00 GMT http://repositorio.ufgd.edu.br/jspui/handle/prefix/4667 2021-11-05T00:00:00Z http://repositorio.ufgd.edu.br/jspui/handle/prefix/4666 Título: A Performatividade e teatralidade incorporadas num clique: a fotografia como fragmento do cotidiano Autor(es): Vieira, Aline Silva Primeiro Orientador: Guerra, Ariane Abstract: This monograph of course conclusion proposes an immersion in everyday actions through authorial photographs that registered moments that belong to routine. Starting from theorists such as Patrícia Leonardelli, Josette Féral and Michel de Certeau, the attempt is to understand how performativity can be in these traces of image, and to create a theatricality by itself. It is exactly this gap that we seek to analyze: where performativity takes place in everyday life, and what actions can serve as a basis for performing and/or theatrical realizations. By selecting 12 authorial images within the research project Body in performance: actions in/on everyday life, we were able to think more deeply about how theatricality can arise from the static performativity present in the images of everyday fragments. Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso Tue, 16 Nov 2021 00:00:00 GMT http://repositorio.ufgd.edu.br/jspui/handle/prefix/4666 2021-11-16T00:00:00Z http://repositorio.ufgd.edu.br/jspui/handle/prefix/2066 Título: O Elogium em Orfeu Brasílico (1736): uma proposta de estudo Autor(es): Silva, Cristina Mascarenhas da Primeiro Orientador: Fioreto, Thissiane Editor: Universidade Federal da Grande Dourados Tipo: Trabalho de Conclusão de Curso Sat, 01 Jan 2011 00:00:00 GMT http://repositorio.ufgd.edu.br/jspui/handle/prefix/2066 2011-01-01T00:00:00Z