Práticas feministas negras: fazeres, saberes, lugares e subjetividades (re)existentes

Abstract

The present paper is the result of the study developed in the Psychology Graduate Program (PPGPsi) in the Federal University of Grande Dourados (UFGD), in the Psychosocial Processes field of research and it is part of the Decoloniality and Psychopathology Study: Gender and Relations of Power in Public Policies of Territory, Speech and Identity. We seek to contribute to a Brazilian Social Psichology which considers the race – social construction of coloniality – as social foundation of its analysis, since black people are the majority in our country. The paper is politically inserted on the Black Feminist Thought, is methodologically inscribed in the discursive approach and associates the intersectionality as analytic tool. Its corpus contains statements of the song lyrics Cota Não É Esmola (Bia Ferreira, 2018), Letras Negras (Larissa Luz) e Elza (Rimas & Melodias). From the intersectional view, we notice the absence of studies on the contributions of black women in the Hip-Hop Movement and the Psychology about black women and their subjectivities. We use the Hip-Hop Movement as political and subjective expression, we investigate how the black subjectivity grow out in the borderspace between blackness and whiteness, the trash rooms and the lounge, masculine and feminine, between those who have and those who have not the right to be a subject. This study lies released of submission to the Research Ethics Committee because it is an analysys of public documents. The results indicate the Hip-Hop Movement as being a way to rescue silenced subjectivities, an agency of literacies, a resource of Formal and Non-Formal Education and denounce of social exclusion. In this way, the Hip-Hop Movement contributes on the rescue and valuation of black contributions on the construction of our national culture.