Cê vai se arrepender de levantar a mão pra mim: a Casa da Mulher Brasileira de Campo Grande - MS

Abstract

This dissertation aims at the implementation of the Brazilian Women's House in 2015 in Campo Grande-MS (CMB), the welcoming space for women victims of domestic violence. The issues that cross the space have their historicity and explanations in the past. Considered a public policy reference for women, the CMB is a feminist reference process that since the 1980s has raised a question of violence against women as a priority. The sources listed for an opinion search follow a methodology that concerns social representations, while the analysis and content present in the media (newspapers and magazines), the reports of women involved with place and what is located in common sense . By the way, as the subjectivities women are also examined, their personal and collective experiences bring a knowledge as the ability to understand their actions so that CMB can expose itself as the inaugural experience in the capital of South Mato Grosso. Following the model analogous to the one implemented in El Salvador, the CMB proposes the government's mainstreaming of public policies, considering Latin American issues regarding the confrontation of violence against a woman. Over that matting, intersectional and subjective analysis with particular such as specificities not in the public domain, lengthening the social discussion about them as public policies happen, such as the Maria da Penha Law (Law 11340/06). This explains the use of Elza Soares's song title, Maria da Vila Matilde, in an interview of resistance to white women with domestic violence, backed by legislation. As social representations demonstrate a paradigmatic transition, as do feminist theories with an intersectional gender approach, new conceptual tools for the expression of women and women, creativity and questioning within science. Thus, they dialogue for new perspectives on the genre and list inaugural objects, such as a CMB.