Transcriação intersemiótica em Chapeuzinho Amarelo: uma revisão crítica na perspectiva de Chapeuzinho Vermelho

Abstract

This research aims to critically analyze the process of intersemiotic transcreation in the production of the work Chapeuzinho Amarelo. For this purpose, we seek to understand how Chico Buarque translated the short story Little Red Riding Hood into Portuguese, preserving fundamental elements of the original short story Little Red Riding Hood (1697), by Charles Perrault, when creating his new literary work, Little Yellow Riding Hood (1979). In this sense, the aim is to understand how Buarque brought his own contemporary characteristics, at the same time as he introduced new sociocultural contexts. The research also aims to highlight the points of proximity and distance between the two works, contributing to a significant analysis of Bu arque's creative process in its transcreation. In this context, Ziraldo's collaboration as an illus trator will be analyzed, which further enriches the work, providing a visual layer that complements and expands the text, making Little Yellow Riding Hood a unique and significant work in Brazilian children's literature. As support, the theoretical assumptions of Charles Sanders Peirce (2015) will be used, as well as the contributions of Lúcia Santaella (2013), Julio Plaza (2003), Lotman (1978), Nöth (1998), Campos (2004), Jakobson (2007), Umberto Eco (2007), Chacarosqui (2008).